work

2018
(Dimensions Variable) 48” x 8” x 6”
Galvanized wire, found glass bottles, apportioned water.

Description: Hanging glasses are set at slightly different heights, but the water in each is set to level with the other. Eventually the water evaporates and the sculpture becomes uneven, crashing down.

2022
106” x 60” x 24”
Fiberglass, water, latex, wax, aluminum, cotton, steel, glass, mdf, enamel.

2023
DV
Projection, air purifier, laptop, space blankets, cords, projector, tripod.

2022
DV (object is approx 7.25” x 4.5” x 3.5”)
Chain link fence, microphones, speakers, audio mixers, wood, paint, resin, braided monofilament, digital print, rolling papers, glue.

2022
Hydrostone, flower petals, wood, fabrics, fiberglass, salt water, vinyl, two channel projection, lcd monitor, convex mirrors

2020
96” x 32”
Found fake flower petals, thread.
Description: Gathered on walks across Greenwood cemetery, fake flower petals from hundreds of graves which have been tattered by lawnmowers and age have been reclaimed and sewn together, arranged in the format of a standard grave plot.

2014 - 2016.
Book Dimensions: 8" x 6.5". 42 Pages. Edition of 24.
Description: A 33 day durational sculpture, documented in artist book form. A bouquet of white carnations, traditionally symbolizing good will and hope, wilts over time. Gradually a white flag is revealed amongst the wilting flowers.

2016-2020
24” x 18” x 4”
Display case, dried rose petals, ink, mixed media collage, sewing pins, cork.
Description: A scholastic display case collaged with images depicting various types of binaries is covered with hundreds of dried rose petals arranged in a gradient. On each rose petal is written the word 'yes' or 'no'.

2016
4" x 4" x 1.5"
Ashtray constructed out of 2,000 pink rose petals. Cigarette, ash, lipstick, binder, rose petals.
Description: 2,000+ rose petals have been ground into a "clay' which is then formed into an ashtray which smells of roses in a futile attempt to cover the scent of cigarette ash.

2018
5.5” x 18.25” x 24”
Pine plywood, acrylic, LED lights, hardware, laminated daffodils.
Description: Dried and laminated daffodils, a precisely temporary flower indicative of the change of seasons, is suspended in time indefinitely. Arranged as a circular drawing without orientation, the box presents a site of being without boundaries of time.

2022
28.5” x 9” x 13”

Fiberglass, wax, fabrics. wire mesh.

2021
site specific installation
hydrocal, epoxy clay, plaster bandage, pvc, battery powered LED, photo, tarp, rope, i-bolts, clamp light, incandescent bulb

2021
site specific installation
hydrocal, epoxy clay, plaster bandage, pvc, battery powered LED, photo, tarp, rope, i-bolts, clamp light, incandescent bulb

2021
site specific installation
hydrocal, epoxy clay, plaster bandage, pvc, battery powered LED, photo, tarp, rope, i-bolts, clamp light, incandescent bulb

2021
site specific installation
hydrocal, epoxy clay, plaster bandage, pvc, battery powered LED, photo, tarp, rope, i-bolts, clamp light, incandescent bulb

2023
96” x 40” x 28”

Fiberglass, chain link fence, wax, fabric scraps.

2018-2020
(Book dimensions) 9.5” x 7”
Hardcover, cloth bound book with unique dust jacket made from reclaimed pillow cases. 114 pages, edition of 30.
Description: The book is a collection of 100 line drawings of my pillows. Each folio splits two perspectives of the a single day’s arrangement of pillows, giving the impression of getting up from or getting in to a bed, or the presence of two people sharing a bed. The book’s repetition of the subject abstracts the “place-ness” of sleep and dreaming, as the pillows morph in and out of recognition, evoking landscapes and dreamscapes alike.

2018
22.5” x 30”
Graphite and colored pencil on cotton paper.
Description: Graphite drawing of afghan blankets made by my maternal grandmother, hung out to dry on a line held aloft by a stick.

2017
13” x 16.26” x 1.375”
Graphite on paper in an artist-made frame. Triptych.
Description: Realistic drawings of hair represent the odd selections of memory to hold on tightly to impermanent features of people instead of their more consistent features. Frame placement alludes to what is lost in remembrance. This drawing is one of three.

2017
13” x 16.26” x 1.375” (each)
Graphite on paper in an artist-made frame. Triptych.
Description: Drawings of hair represent the odd selections of memory to hold on tightly to impermanent features of people instead of their more consistent features. Frame placement alludes to what is lost in remembrance.

2020
78" x 12" x 12"
Hydrocal, pigment, crutch.
Description: A hand sculpted bust is set atop a wooden crutch. The sculpture acts as a personification of a seaside inlet at specific times of year.

2020
78" x 12" x 12"
Hydrocal, pigment, crutch.
Description: A hand sculpted bust is set atop a wooden crutch. The sculpture acts as a personification of a seaside inlet at specific times of year.

2020
16.25" x 13" x .5"
Mixed media collage mounted on wood.
Description: Collage presented as a soupy memory of time and place.

2020
16.25" x 13" x .5"
Mixed media collage mounted on wood.
Description: Collage presented as a soupy memory of time and place.

2020
16.25" x 13" x .5"
Mixed media collage mounted on wood.
Description: Collage presented as a soupy memory of time and place.

2020
16.25" x 13" x .5"
Mixed media collage mounted on wood.
Description: Collage presented as a soupy memory of time and place.

2020
16.25" x 13" x .5"
Mixed media collage mounted on wood.
Description: Collage presented as a soupy memory of time and place.

2020
16.25" x 13" x .5"
Mixed media collage mounted on wood.
Description: Collage presented as a soupy memory of time and place.